Heil EQ300 Microphone EqualizerIf you want to sit back and relax, hit play and watch the video above where I show you my simple 3 step process for EQing your vocal tracks to sound clear, eq 300 microphone equalizer, and stand out in the mix. Get a quick overview of the 3 step formula for Tren quito your vocal tracks. For the average listener, the vocals are the most important part of a song. So it goes without eq 300 microphone equalizer that how we EQ our vocals can make or break a mix. EQ will help you to solve this.
Heil EQ Microphone Equalizer | eBay
If you want to sit back and relax, hit play and watch the video above where I show you my simple 3 step process for EQing your vocal tracks to sound clear, professional, and stand out in the mix. Get a quick overview of the 3 step formula for EQing your vocal tracks.
For the average listener, the vocals are the most important part of a song. So it goes without saying that how we EQ our vocals can make or break a mix. EQ will help you to solve this. Seriously, most of the time this will do the trick! A parametric EQ plugin with 3 or 4 bands places you can adjust the EQ.
You want an EQ that gives you various filter options — a low cut, shelving filters, and bell-curve filters. Join me for my Vocal Mini-Course where I'll be sharing with you some of my best tips, tricks, and insights, into producing great sounding vocal tracks from home. Did I mention it's totally free? Click below to sign up now. Use whichever term sounds simpler to you. A high-pass filter can help to make your vocal tracks sound cleaner and less muddy in a mix.
It will also remove any low-end rumble or noise that may have been picked up during recording. Apart from plugins, you may have come across a high pass filter on a sound desk, a microphone, a preamp, or on your audio interface.
Most decent EQ plugins not only give you a high-pass filter, but they allow you to choose at which point you want the high pass filter to start, and how gradually you want to roll off the low frequencies. This gives us more control and allows us to remove as much low end as possible without affecting the tone or warmth of the vocal. For example, that big bassy voice you always hear on those epic action movie trailers. However, when it comes to a vocal in a song, too much low-end will just make the mix sound muddy.
Put an EQ on the vocal that has a high-pass filter. Switch it on and play the vocal in the mix. Start the high pass quite low, around 70Hz, and gradually move it up the frequency spectrum until you start to hear it making the vocal sound thinner. This will usually be somewhere between Hz — Hz.
A shelving filter gets its name from the fact that it looks kind of like a flat shelf — I know, not rocket science! You can also use a peaking filter a.
If possible, use an EQ that has a variable shelving filter so that you can adjust the starting frequency. Usually, a subtle boost starting from around 6kHz — 12kHz will do the trick. The higher you start, the more subtle the effect will be. The lower you start the shelf, the brighter and more obvious the effect will be.
You can then adjust the starting frequency again if you like. Choose a bell-curve filter on your EQ. Make it reasonably broad so that it affects quite a wide range of frequencies. Starting at around Hz or so, slowly move the filter up the frequency spectrum. What you want to listen out for are areas that sound particularly bad. Other vocals are very nasal around Hz — 1kHz. Once we find the basic area, we want to narrow it down and get more specific. Adjust the position of the filter until you find the sweet spot again — the place where it sounds the worst.
A notch filter is simply a peaking filter with a very narrow bandwidth. This same method shown here can be used to EQ backing vocals. If you have several backing vocals in a big mix, they can often benefit from quite a drastic low-cut around Hz — Hz so that they fit in the mix without distracting from the lead vocals. A boost around the presence range about 2kHz — 6kHz can make a vocal sound noticeably brighter and edgier — especially good for more aggressive styles of music.
Just be careful adding too much as it can make vocals sound harsh. Sometimes boosting this area causes a sibilance problem so you may have to use a de-esser for that. This problem can be caused by the vocalist standing too close to the mic while recording, or perhaps they just have a very deep voice. Try cutting around Hz — Hz to hear if this helps. Click the button below to sign up now.
A high-pass filter rolls off all frequencies below the point which choose. Boost a peaking filter by about 10dB and slowly sweep move accross the frequency spectrum.
A small cut around Hz — 1kHz can make a vocal sound less nasal. More vocal EQ tips. Want to improve your vocal tracks? Sign up free for my Vocal Mini-Course. Pin It on Pinterest.